Salon Todesco

This salon was decorated by Munich sculptor, architect, interior designer and decorator Lorenz Gedon (1844-1883) in the year of the World Exhibition 1873.

Salon Todesco

Gedon Room

History of the Salons

The son of the household, Hermann, who tragically died in a carriage accident, had this room designed in 1873 by Munich-based sculptor, architect, and interior designer Lorenz Gedon (1844-1883). Gedon was only 29 years old when he came to Vienna and worked in the Palais Todesco for over a year. His work was completed in 1874, as indicated by his signature on a scroll held by a putto near the tiled stove.

When Theophil Hansen designed the interior of the palace in 1864-1865, Hermann was only 15 years old, too young to have specific ideas for his room. By the time Gedon was commissioned, Hermann was 24 and preferred a younger artist who better suited his tastes, as Hansen was already 60 years old.

The original wood paneling runs around the room, covering more than half the wall height. It is interrupted by large portals on the south and east walls, while a tall structure on the north wall balances the visual composition. The lower part of the paneling is simple to allow space for furniture.

One of Gedon’s most remarkable works is the ceiling, which rests on an elegant cornice. The robust frame contrasts with the intricately carved ornaments that seem to float weightlessly against a gilded background. In the center, words like “Peace,” “Happiness,” “Joy,” and “Love” are inscribed, surrounded by Hermann’s monogram.

Gedon’s lavish oak carvings bring both a sense of warmth and the spirit of progress. One example is a caryatid dressed as a polar explorer, referencing the discovery of Franz Josef Land in 1872. Each caryatid bears an attribute symbolizing music, art, science, or commerce.

Eduard von Todesco

Entrepreneur and Private Banker

EDUARD TODESCO

Eduard Todesco (1814-1887), who came from a Hungarian-Jewish family, was one of the most influential businessmen and private bankers in the Habsburg Monarchy during the second half of the 19th century. After the Revolution of 1848, he gained recognition from the state through his generous purchases of government bonds and his charitable donations. As a result, he was knighted in 1861 and elevated to the rank of baron in 1869.

Todesco was part of the so-called “second society,” the financial aristocracy, which had a complex relationship with the high nobility. From the 18th century, and especially in the 19th century, this group became the elite of the rising, liberal, and imperial-loyal bourgeoisie. Together with his younger brother Moritz (1816-1873), Eduard inherited a vast fortune after the death of their father Hermann and managed the family bank “Hermann Todesco’s Sons.” Eduard and his wife Sophie had three daughters, Franziska (Fanny), Anna (Netti), and Gabriele (Yella), as well as a son, Hermann, who tragically died at the age of 27 following a carriage accident.

Theophil Hansen

Architect

THEOPHIL HANSEN

Theophil Hansen (1813-1891) was one of the most important architects in Austria during the 19th century. Born on July 13, 1813, in Copenhagen, he studied at the city’s Academy of Fine Arts, where he was introduced to Danish Classicism, primarily by his brother and teacher, Hans Christian Hansen.

In 1838, Theophil followed his brother to Greece. On his way, he passed through Berlin, where he was greatly influenced by the works of Karl Friedrich Schinkel. In Northern Italy, especially in Venice, he studied the architecture of Andrea Palladio. In Greece, he delved into ancient Greek architecture, though Byzantine architecture also had a profound impact on him, influencing his early style in Vienna.

In 1846, Christian Ludwig Förster invited Hansen to Vienna. Their collaboration was strengthened by Hansen’s marriage to Förster’s daughter, but it ended after her death. Hansen became one of the key architects behind the development of Vienna’s Ringstrasse. His most notable works from the 1860s include the Evangelical School at Karlsplatz, the Vienna Musikverein building, and the Palais Erzherzog Wilhelm on Parkring (now the OPEC building). Hansen referred to his style as “Greek Renaissance” and placed great emphasis on the interior design of his buildings.